laura geiger

Practices for unfinished interaction

Most interaction moves quickly toward recognition.

Someone reassures, explains, or smooths the moment over. A person becomes understandable very quickly.

I create live practice environments where these movements can slow down enough to become perceptible while they are happening.

We aren’t trying to eliminate coherence or avoid care, and we don’t want to remain uncertain forever.

We are exploring what becomes possible when interaction is allowed to stay slightly unfinished a little longer.

The work moves between:

  • structured interactional experiments

  • participatory performance

  • improvisation

  • figures and objects

  • coordination

  • awkwardness

  • attention

  • humor

  • uncertainty

  • forms of contact that do not immediately settle into recognition

At times the work may feel quietly disorienting, awkward, funny, emotionally precise, unexpectedly intimate, or difficult to fully organize while it is happening.

why this matters

Power does not live only in systems and institutions.

It also lives in ordinary moments of interaction:

  • who reassures

  • who adapts

  • who absorbs tension

  • who becomes easy to recognize

  • whose discomfort quietly disappears so interaction can continue

These movements often feel natural, caring, and necessary.

They also shape:

  • what gets normalized

  • what remains unfamiliar

  • who carries relational labor

  • and what kinds of interaction remain possible

Most happen too quickly to notice.

This work slows interaction down long enough for those movements to become perceptible before they disappear into normality.

Not to judge them but to become more aware of how participation shapes relationship, authority, perception, and possibility in real time.

ways to enter the work

witnessing without colonizing

A live practice in noticing how people become recognizable to one another

Small-group interactional experiments exploring reassurance, interpretation, coordination pressure, participation, and the speed at which interaction organizes itself into familiarity and coherence.

private sessions

For artists, facilitators, practitioners, and people inside difficult relational questions

Private online sessions for exploring:

  • creative process

  • uncertainty and transition

  • asymmetrical relationships

  • social roles and invisible labor

  • artistic development

  • unfinished interaction

  • forms of contact that are difficult to fully organize or resolve

Deep Puppetry™Studio Practice

Relational puppetry & unfinished encounter

A small-group online studio exploring figures, materials, movement, projection, awkwardness, animation, and contact before meaning fully settles.

Through improvisation, interactional scores, and shared experimentation, participants work with objects and interaction as unstable relational presences rather than fixed characters or symbols.

organizational labs

Participation, coordination, and social organization in real time

Experiential labs for teams, organizations, and collaborative environments exploring how interaction shapes:

  • authority

  • participation

  • coordination

  • decision-making

  • reassurance

  • social pressure

  • the distribution of relational labor

The work focuses on making subtle participation dynamics perceptible while they are happening.

school of the small and imperfect

A long-term practice environment for unfinished interaction

An ongoing space for practicing participation through interruption, awkwardness, improvisation, unfinished interaction, and collective experimentation over time.

The school unfolds through repeated live interaction, small interactional scores, experimentation, and collective inquiry.

What participants notice over time

“This work has started to expand in me and in my relational field. I’ve noticed patterns repeating across different people and situations — with such similarity that I can’t help but see my own participation in creating the outcomes. There’s a kind of zoomed-out perspective now, like I’m in the interaction and also watching it unfold.”
-Kevin Karpinski

“We entered a space where things didn’t need to be fully formed, where we could delay our automatic responses and stay with what was happening. At times I didn’t understand what was happening. But I began to feel that not knowing didn’t mean I was lost.”
-Anita van Ast

“Through this work, I’ve become more willing to stay with difficulty rather than resolve it. I’ve learned to work with stillness, absence, and silence, and to let material and relationship lead rather than trying to control the process.  It has changed how I participate in collaborative and group environments.”
-Julia Tribe

About Laura

Laura Geiger creates participatory and artistic practice environments exploring how interaction organizes attention, meaning, social roles, and relationship in real time.

Her work focuses especially on moments where people rush toward reassurance, recognition, explanation, or coherence and what becomes possible when those movements slow down.

Through projects including Deep Puppetry™, Witnessing Without Colonizing, and School of the Small and Imperfect, she works with improvisation, objects, interactional scores, awkwardness, participation, and unfinished encounter as ways of making subtle social dynamics perceptible inside live interaction.

Her background draws from puppetry, applied theatre, participatory art, improvisation, somatic inquiry, and relational practice.